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Big Road Blues Discussion Forums 2013-01-15T03:50:14+00:00 http://www.bigroadblues.com/forum/feed.php?f=6&t=13388 2013-01-15T03:50:14+00:00 http://www.bigroadblues.com/forum/viewtopic.php?t=13388&p=115415#p115415 <![CDATA[Re: bLuEs on the eDgE #5 Jimi just might approve]]> A7#9 or I7 chord in an A7 blues

-
-5 - 5th
-5 - #9
-5 - b7
-4 - major 3rd
-

It's a tough sound, something that sounds good when the soloist is getting mean and dirty, punch this chord and bam, you will be experienced (lol)
This definately is a blues on the edge sound.

Statistics: Posted by Clifford D — Tue Jan 15, 2013 3:50 am


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2013-01-15T03:44:36+00:00 http://www.bigroadblues.com/forum/viewtopic.php?t=13388&p=115413#p115413 <![CDATA[bLuEs on the eDgE #5 Jimi just might approve]]> E7#9
-
-8
-7
-6
-7
-

This chord also sounds good in a regular chicago style shuffle or texas shuffle etc...

Taking the chord to the key of A7 blues this same chord would be up the neck a bit
A7#9
-
-13
-12
-11
-12
-

For me that isn't a good comping chord, it's too high pitched and could "compete" with a singer or soloist?? Maybe, so don't do that is the look you'll get.
A nice solution is to play the chord lower and in the area of all your other comping chords.
The common A7 is
-
-5
-6
-5
-7
-5

Statistics: Posted by Clifford D — Tue Jan 15, 2013 3:44 am


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